"Displayed an instrument of immense power, natural beauty of tone and luscious legato line." "Arias from Massenet’s “Werther,” Cilea’s “Adriana Lecouvreur” (“Acerba volutta” for the Princesse de Bouillon) and Saint-Saens’s “Samson et Dalila” indicated that Swann’s strengths lie in dramatic mezzo territory. The voice makes a broad swath of sound, the vibrato not spinning out of control, with a vol canic chest voice and equally blazing high notes, shown in one fell swoop on a two-octave run at a particularly thrilling point in “Amour! Viens aider ma faiblesse!”
9 Apr 2012
PERFORMING WITH THE FLINT SYMPHONY ORCHESTRA, UNDER MAESTRO DIEMECKE.
29 Oct 2011
Mahler: Symphony no 2 in C minor "Resurrection"